Justin Bieber just won't behave: Five revelations from Rolling Stone's new issue

MEMPHIS TN (IFS) -- When you are no wanted in Atlanta and your own country (Canada) do not want to claim you -- maybe you should get a hint?

 

 

 

 

Justin Bieber just won't behave: Five revelations from Rolling Stone's new issue

Feb. 27, 2014, 10:45 AM EST

Rolling Stone

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There's a fine line between having more fun than any teenager alive and completely melting down. Justin Bieber seems determined to find it — and Rolling Stone goes inside the egg-throwing, hard-partying, drag-racing, arrest-resisting, brothel-patronizing, lightning-quick fall of a pop icon in our new issue (on stands Friday). Contributing editor Claire Hoffman gets the dirt on the 19-year-old's most recent troubles, uncovering events that would make the singer's core Beliebers lose their faith. Here are five of the most shocking revelations:

Also from Rolling Stone: From "Baby" to bad boy: track Justin Bieber's life in photos
 
One of Justin's wildest nights went down at a Miami strip club called King of Diamonds Gentlemen's Club. Bieber puffed a G Pen weed vaporizer and blew through the $75,000 in small bills his bodyguards brought for him in the VIP room, accepting lap dance after lap dance. The occasion? The January birthday of Bieber's pal, rapper Lil Scrappy. Two days later, Justin was arrested for drag racing in a rented Lamborghini.

Insiders blame Bieber's dad for encouraging Justin's bad behavior. Bieber's 38-year-old pop Jeremy split with Justin's mom when he was a toddler, but has reappeared in a big way. "His father's not a great influence," says a source. "They're almost not like father and son — it's more like two best friends." Jeremy was in the strip club with Justin, enjoying the overflow of his son's parade of strippers, and was also present when Bieber was busted for drag racing (he was accused of helping block off traffic).

As early as 2010, Bieber began to show signs of stress. Justin broke down in tears backstage one day, bemoaning his lack of privacy. "If you want the Michael Jackson career, you have to grasp that you are never going to be normal again," his manager Scooter Braun told him.

Also from Rolling Stone: Justin Bieber's wild decline: a timeline of the Canadian idol's spiral Three authority figures confronted Justin after his night in jail – but that didn't slow his wild behavior. After his night in jail, Bieber left Miami for Panama, with his gal pal Chantel Jeffries. Usher, Bieber's mother and Braun flew to Panama to have a serious talk about his the singer's behavior, shipping Jeffries back to Miami. A source close to the Bieber camp said the trip wasn't an intervention, but "a conversation, reminding him of the people who care about him, and to consider things to do about it."

After the non-intervention, Bieber and his dad took off on an even more out-of-control trip. Justin and Jeremy rented a private plane to take them from Toronto to Teterboro Airport outside New York for the Super Bowl. According to a leaked incident report, the pair were so verbally abusive to a flight attendant, she hid in the cockpit with the pilots. The pilots were so overcome by the weed smoke, they had to wear oxygen masks to fly the plane.

Also in this issue: Tim Dickinson on the minimum wage, David Fricke on the making of Green Day's Dookie, Sabrina Rubin Erdely on the story of an autistic teen targeted by an undercover cop, inside True Detective and more.

Amy Barbera iHeartRadio

Amy Barbera iHeartRadio

GROOVEATECH

ABOUT GROOVEATECH FEATURING 11 EMMY AND GRAMMY AWARD WINNER CHIELLI MINUCCI OF SPECIAL EFX AND, GRAMMY AWARD NOMINEE PHILLIPE SAISSE, NOVECENTO, MATT MARSHAK, MARC ANTOINE JEFF KASHIWIA, AND MARCUS ANDERSON Records to great critical acclaim.

The album utilizes elements of jazz, funk, and electronica, flawlessly showcasing the expertise of Grooveatech’s many musicians. Composed of a staggering twenty-seven musical artists from various time-zones around the globe, Grooveatech Orchestra is the brain child of Aaron Wider, who also produces, composes, arranges and performs as vocalist on the record.

Grooveatech’s artists come not only from a myriad of different locales around the world, but also from a surprisingly diverse array of musical backgrounds, including (but by no means limited to) groove, funk, pop, rock, and smooth jazz. The result is both a classic, warm tone familiar to music aficionadoes while maintaining a radically unique signature sound.

 The release of “One More Time” was not a simple matter. Many of Grooveatech’s musicians perform in their own bands or even multiple projects, the artists’ individual releases exceeding a monstrous two-hundred and seventy albums. Many go on tour throughout the year.

Most have families and professional jobs on the side. Still, the end products of this gigantic and remarkable collaboration never sound rushed, slipshod, or amateur. Even with so little time afforded its members, Grooveatech has managed to record audio and video in multiple locations.

The video for the single “One More Time” required sixteen video shoots worldwide with fourteen participating musicians.

Though the monumental undertaking took eight months to complete, the video for “One More Time” has gone viral.
 All the best, Aaron Wider Charting
 BILLBOARD/ BDS CHARTED AC # 30
 BILLBOARD/BDS CHARTED SMOOTH AC # 8
 MEDIA BASE CHARTED AC# 33
 MEDIABASE CHARTED SMOOTH AC # 19
 FMQB CHARTED AC # 8
 AMERICA AMUSIC CHARTS AC # 33
 Links ONE MORE TIME VIDEO VEVO
 http://web18.vevo.com/watch/grooveatech-orchestra/one-more-time/USQY51263915 http://www.wave.fm/articles/view/grooveatech-orchestra-one-more-time
 http://top40-charts.com/news.php?nid=78826
 https://itunes.apple.com/us/artist/grooveatech-orchestra/id515544992
 http://www.amazon.com/One-More-Time-Grooveatech-Orchestra/dp/B007RL58E8

Toni Braxton & Babyface's "Love, Marriage & Divorce" debuts at No. 4.

Toni Braxton & Babyface's "Love, Marriage & Divorce" debuts at Billboard's No. 4.
By Billboard Magazine Staff

After a two-week rule of the No. 1 slot on the Billboard 200—and four weeks atop the list overall—the Frozen soundtrack steps aside, letting the new Now 49 hits compilation open atop the list.


Now 49 debuts with 98,000 copies sold in the week ending Feb. 9, according to Nielsen SoundScan. Meanwhile,Frozen slips to No. 2 with 88,000 (down 6%).

Now 49 is just the 24th various-artists compilation to reach No. 1 since the Billboard 200 became a regularly published weekly chart in 1956. Of the 24 compilations to rule the list, 17 of them were "Now" albums. (However, the last non-"Now" compilation at No. 1 did happen to have the word "Now" in its title: the charity set Hope for Haiti Now in February 2010.)

Now 49 is also the first No. 1 for the long-running Now That's What I Call Music! series since Now 43, which debuted at No. 1 on the Aug. 25, 2012, chart.

All 49 of the regular (numbered) "Now" albums have reached the top 10, and all but the first debuted in the top 10. The last "Now" set, "Now 48," debuted at No. 3 with 114,000 sold in November. The "Now" series has also scored top 10s with four of its non-numbered titles: Now That's What I Call Christmas! (No. 3 in 2001), Now That's What I Call Christmas! 3 (No. 10, 2006), Now That's What I Call Country (No. 7, 2008) and Now That's What I Call Country Vol. 2 (No. 10, 2009).

The milestone Now 50 compilation is scheduled for release on May 6. A track list has not been announced.
The debut of Now 49 comes almost exactly 15 years after the first Now album reached the top 10 on the Billboard 200 (on the chart dated Jan. 23, 1999).

As for Frozen, its cumulative sales increase to 952,000 this week, after 11 weeks in release. At its current sales rate, it should surpass 1 million next week.

Bruno Mars' Unorthodox Jukebox climbs 7-3 with 81,000 (up 92%) in the wake of the first full week of impact after his Super Bowl halftime performance on Feb. 2. His first album, Doo-Wops & Hooligans, just misses re-entering the top 10 as it glides 19-11 with 26,000 (up 58%).

The last time a Super Bowl halftime performer was in the top 10 the week after the big game was in 2009. That year, Bruce Springsteen's brand-new Working On a Dream fell from No. 1 to No. 2 in the week after the game—the album's second week on the chart. The album was released the Tuesday before the Super Bowl, and debuted at No. 1 with 224,000. It then sold 102,000 in the week after the game.

Rather excitingly, this is the first post-game week where an older album by a halftime performer has been in the top 10 since 2003. The week after the game that year, Shania Twain's Up! jumped back into the top 10, rising 12-8 with 67,000 (up 41%). (Twain co-headlined the show that year with No Doubt.)

At No. 4 on the Billboard 200 this week is the chart's second-highest debut: Toni Braxton &Babyface's Love, Marriage & Divorce with 67,000. The album starts stronger than expected, as last week industry sources had forecasted the set to start with perhaps 60,000.

It's the highest-charting album for Braxton since her Libra also debuted (and peaked) at No. 4 in 2005 and the highest-charting album ever for Babyface. The latter has visited the top 10 twice before, going as high as No. 6 with 1996's The Day.

Broken Bells and Little Mix are up next in the Billboard 200's top 10, as their latest efforts start at Nos. 5 and 6, respectively.

Broken Bells' After the Disco bows with 44,000, while Little Mix's Salute starts with 43,000. It's the second album, and second top 10 set, for both acts. Broken Bells' self-titled debut reached No. 7 in 2010 (49,000 first week) and Little Mix's debut, DNA, launched at No. 4 in 2013 (50,000 first week).

As for the rest of the top 10 this week: Beyonce's self-titled album dips 5-7 with 38,000 (down 20%), Lorde's Pure Heroine falls 3-8 with a little more than 35,000 (down 48%), the 2014 Grammy Nominees compilation tumbles 2-9 with 35,000 (down 60%), and Katy Perry's PRISM descends 9-10 with 27,000 (down 12%).

Over on the Digital Songs chart, Perry's "Dark Horse" continues to reign at No. 1, though it has a significant drop in sales. The song sold 291,000 downloads in the most recent tracking week, down 22%. The sales erosion is owed to how the song earned a big 27% gain a week ago, following Perry's performance on the Jan. 26 Grammy Awards. Without the awards show exposure this week, the song's sales naturally decline.
Pharrell's Oscar-nominated "Happy," meanwhile, continues to gain, as it climbs 3-2 with 252,000 (up 15%). Jason Derulo's "Talk Dirty," featuring 2 Chainz, is pushed back 2-3 despite a gain of 3%. (It sold 242,000 last week.) Passenger's "Let Her Go" steps 5-4 with 182,000 (up 3%). A Great Big World & Christina Aguilera's "Say Something" is up 6-5 with 171,000 (up 12%).

Idina Menzel's "Let It Go" flies 16-6 with 138,000 (up 28%)—the song's second-largest sales week. It only sold more during Christmas week, when it shifted 153,000 downloads. Bastille's "Pompeii" is up two rungs to No. 7 with 131,000 (down 6%); Pitbull's "Timber," featuring Ke$ha, is steady at No. 8 with 130,000 (down 9%); and Aloe Blacc's "The Man" rises 13-9 with 125,000 (down 3%). Lorde's "Team" rounds out the top 10, as it ascends 12-10 with 113,000 (down 13%).

Overall album sales in this past chart week (ending Feb. 2) totaled 4.5 million units, down 3% compared with the sum last week (4.6 million) and down 22% compared with the comparable sales week of 2013 (5.8 million). Year-to-date album sales stand at 27.5 million, down 15% compared with the same total at this point last year (32.3 million).
 
Digital track sales this past week totaled 23.6 million downloads, down 1% compared with last week (23.8 million) and down 14% stacked next to the comparable week of 2013 (27.3 million). Year-to-date track sales are at 151.4 million, down 11% compared with the same total at this point last year (171 million).
Next week's Billboard 200 competes with the same week in 2013 when: the week after the Grammy Awards, Mumford & Sons' Babel, which won album of the year, returned to No. 1, selling 185,000 (up 242%).

This story first appeared on Billboard.com.

Motown figure Anna Gordy Gaye dies at 92

Berry Gordy Jr. on the passing of his sister Anna Gordy Gaye

By Brian McCollum

Detroit Free Press Pop Music Writer

“My sister Anna was the glamour girl of the family. She was beautiful, sexy, playful, lovely. Men loved her but she lived for her family, especially her younger brothers of which I was lucky enough to be one.
“She backed me up on everything I tried to do and gave me the confidence to be what I wanted to be.
“She gave me all the love that a sister could give a brother.
“When I first came to California as a teenage boxer, Anna lived there and I knew I would have a place to call home.
“I will miss her so dearly. What I’m grateful for most was that she lived to see me reach my goals and shared them all with me in happiness and joy.”

Anna Gordy Gaye, a crucial force in Motown’s rise and an ex-wife of Marvin Gaye, died early this morning, a Motown representative confirmed. She was 92.

Gaye “transitioned early this morning surrounded by her loving son Marvin Gaye III and other family members,” read a statement from Universal Music.

The Georgia-born Anna Gordy was the third-oldest of the eight children in Detroit’s entrepreneurial Gordy family, and following the 2011 death of Esther Gordy Edwards, was the only remaining sister. She is survived by younger brothers Berry Gordy Jr., 84, and Robert Gordy, 82.

TMZ reported that she died of natural causes at her home in Los Angeles.

Funeral arrangements have not been announced.

Her name was emblazoned on some of Berry Gordy’s earliest record productions via the Anna Records label, which she founded in 1958 with sister Gwen Gordy. The label was formally absorbed into Berry Gordy’s Motown Records in 1961, several months after notching its biggest national hit, “Money (That’s What I Want)” by Barrett Strong.

In 1963, at age 41, she wed 24-year-old Marvin Gaye after more than a year of dating. She famously served as the inspiration for the singer’s first top-10 pop hit, 1963’s “Pride and Joy.”

Mickey Stevenson, the song’s cowriter and head of Motown’s A&R department, said Anna Gordy Gaye became an important liaison between the mercurial singer and the Motown operation.

“She helped me with Marvin a lot,” he said today. “Whenever he was missing out there someplace, she’d say: ‘Don’t worry, I’ll find him for you. I’ll get him there.’ She saved me a lot of trouble.”

Anna Gordy Gaye — “tall, gorgeous and fine,” in Stevenson’s words — was a picture of “style and class, and she brought a strong personality that the young female artists picked up on quickly,” he said. “It was her walk, her smile, her talk.”

She occasionally contributed to Marvin Gaye’s songwriting, including a pair of compositions on his career-defining 1971 album, “What’s Going On.”

They had one son, Marvin Gaye III, born in 1966. The family moved to Los Angeles amid Motown’s migration west in the early 1970s.

The Gaye marriage was often tempestuous, the couple’s fights chronicled in later years by biographers. They divorced in 1976, and the split fueled Marvin Gaye’s subsequent album, “Here, My Dear,” including the track “Anna’s Song.”

“I found myself in the studio crying in the microphone,” he told the Free Press several years later.

The two reconciled before Marvin Gaye’s 1984 death, and Anna was a guest of her ex-husband at the Grammy Awards in 1983.

Contact Brian McCollum: 313-223-4450 orbmccollum@freepress.com.

Amy Barbera's iHeartRadio Station

http://www.iheart.com/artist/Amy-Barbera-324476/

John Schneider - Don't Think Twice, It's All Right

John Schneider, born in 1949 in Fort Lauderdale, FL, almost immediately started playing his Elvis guitar from morning to night as a child. After taking a few guitar lessons, John, found even more joy in hammering out notes on the grand piano in his grandmother's home.

Later, he started playing drums and started his own band, "The Electric Harpoons," which played in South Florida's first so-called Love-In.

  John's family owned a nationally-recognized amusement park (which was on the cover of LIFE magazine) and so John was continually surrounded by actors and celebrities.

Soon, the acting bug bit him and he was taking parts in every play in the community, high school and college that he could get his hands on. After graduating from a junior college in Palm Beach, Burt Reynolds provided John with a college scholarship to pursue his acting career.

Before long, he was attending the Academy of Dramatic Arts in New York City while the William Morris Agency was sending him out on auditions. John took several parts in plays, but Burt Reynolds was instrumental in producing a short film, "The Eighth Daffodil," and John soon stepped into to take the lead role. Later in his musical and acting career, John started directing plays and producing short films. Musically, he continued to produce his own orignal songs and played live in a variety of venues. Today, John lives at the Jersey Shore and performs frequently at local venues.

 Recently, he played at Jon Bon Jovi's restaurant, "Soul Kitchen," in Red Bank, NJ. He also produced a song and music video called "Everybody's Gonna Go" to support the Jersey Shore's relief efforts John also founded two companies: Original Music Factory which produces musical soundtracks and CreateAVision Media whch produces documentary and promotional films. Whenever possible, John is also a substitute teacher at the local high school and volunteers to help the local communities. People say I sing and play "lovin' country music with a lick of the rockin' devil." I guess that's true!

 I do love country music, but I have a deep-rooted need to put a little edge in my music once in a while. I have to thank Garth Brooks who challenged me when he became the rocker "Chris Gaines" and so I had to do the same thing just to show him he wasn't the only one who could do it. That's why I created "John Nicole" and produced a few albums under the pseudonym. Meanwhile, Music Reviewer Zack Daggy says I have a rich smooth-toned voice wiht the charismatic quality of Bono.

 I don't know what he's been drinking, but I appreciate the complement. I'll let you be the judge as you listen to "Country Free." "Country Free" is my fifth or sixth album and I'm proud of it. Yes, there are a few familiar tunes which I've remixed, but hopefully I made everything sound a bit better. I'm just so grateful for the folks who are listening to the ablum, paying for it and then letting me know how they feel. "Happy Life" is one of my all-time favorite tunes! I surprised even myself when it was first written. It has a nice feel to it and Laura Baron sings it so sweetly with me. Her career just seems to be taking off and I'm happy for her.

 Nadia Fauteaux from Memphis, TN, also does an incredible job with our duet of "Love Me Tender." I've never heard the song as a duet, but it seems to work well. Hope you like it, too. Nadia also sings in French on the song "Beyond Words (Au-Dela des Mots)" and I think she'll become an international sensation if she plays her cards right. Of course, I do sing some standards like "Don't Think Twice, It's All Right" and I certainly hope Mr. Zimmerman likes what I did to his great song. He's such a legend.

 I was also privileged to have one of Chuck Berry's piano players, Daryl Davis, perform on my rendition of "Johnny B. Goode." Of course, I also played along with him on my own keyboard, but he was much better than me! I'm also extremely happy Karen Oliver saddled up to sing with me on a little story-tellin' song, "Take Me Home." She's provided lots of backup vocals in the past and this time she's stepped a little closer to the microphone. Nice job, Karen.

 There are some more original and cover tunes in this album and most of them are just sort of calm and easy going. There's nothing too edgy on the album except maybe "Play Ground," which has more of a darker theme than I normally write or sing about.

Well, that's about it. I'm grateful that you listen to my music. And I appreciate the opportunity to play around once in a while. Hopefully, it's keepin' me young just like Garth Brooks.

 John Schneider