VOLLINTINE RADIO

Sunday, May 31, 2015

Zoo Pilot

 
 
Zoo Pilot's ambitious debut album release entitled "Broken/Up" is actually two albums released simultaneously.  Individually titled "Broken" and "Up", the two are loosely concept albums within themselves, and, as a pair. Sonically and thematically, they represent very different halves of the whole project. Through the ten tracks on "Broken" a path enrooted in the five stages of grief is charted, whereas "Up" represents a counterpoint to sadness and depression at times so polarly different that it jaunts well into the realms of mania.
 
Neither album's lyrical content plays out in obvious alignment with these antithetical moods (they're not meant to be aural psychology courses), but thematically the songs on each are clustered together around axes of seriousness/grief and levity/carefreeness.
 
Zoo Pilot, led by singer, songwriter, multi-instrumentalist Brad Paxton, has two full-time members. Their debut album was recorded over the course of about 6 years (give or take) with most of the varied instruments played and self-recorded by the pair in their Austin, Texas home studios. It may have taken a long time for the endeavor to be fully realized, but the do-it-yourself approach was the optimal choice for the duo, allowing complete creative control and artistic expression during an undertaking of such musical breadth.

Sunday, April 19, 2015

RG's All Nite Funk Band

  RG's All Nite Funk Band

Reno, NV
R&B/Soul / Rock / Pop
Play Songs »  Share Songs »  Visit Profile »



                                   Hello New Fans Supporters and Colleauges, Family, & Friends

We wish to say "Thanks  to All of you " for your Interest in our work and liking our Material & Signature Sound. We have been flexing our Creative juices on the "Hideaway" Single soon to be Released to a Radio Station Near you.

Apparently Our 3 Country/Pop /Rock flavored Tunes are also making a Buzz with Radio Airplay & getting Global interest however the Next few Singles will be with our New Artist's and New Songs & Musical Arrangments.
They will Debut only the released Singles & the All Nite funk Band ...Live Here in Reno Nv. for the Single Release Party'
We will keep all of You Wonderfull People posted with the Dates shortly
Thanks Again
RG  


MUSIC STORES


 CD Baby     



PRESS

"Trax Are Very HOT! For their Next Release "Hideaway" from this Signature Production Team. They are still in the Studio completing the Final version. Media Impact should be expected with this Band and it's Potential in several mainstream Music formats"  Ms.Gala Gossip, THE RUMOR BUREAU INC

"According to Google Rare Record Collectors are Bumping up the Price on the 4,600 Promo Copies still floating around out there. The Bands Former 2 Airplay Hits and their latest Recording efforts in Releases & Popularity have contributed to this collectors Market increase."  Ms.Gala Gossip, The Rumor Bureau Inc.

"NEW RELEASE "SomeThing" is now Available for your listening , A Happy & Uplifting message here to brighten your Holidays for sure !!"  Gala Gossip, The Rumor Bureau Inc


LINKS


 Facebook       Twitter       YouTube       Facebook       ReverbNation     

Saturday, April 18, 2015

Medical Care Delivery for Occupational Therapists in Question for Memphis Elderly

Medical Care Delivery for Occupational Therapists in Question for Memphis Elderly


MEMPHIS TN (IFS) -- No pictures, no video recordings, no audio recordings, no interviews, no mentioning of any abuse of seniors in group homes.  When it's time for their breakfast, the attendants delivery their trays to the seniors in their rooms, whether or not their diapers from that night have been changed or not.   When you are lying there in your own fecal matter and have not be cleaned up from the night before, breakfast does not look good at any cost.

Why do these patients have to wait to get their diapers changed?  One, the help is poorly paid and they are usually verbally abused for not picking up the pace.  The second cause of this abuse is no help.  These facilities refuse to retain good help do to conditions and pay.

Medical personnel are prohibited from recording these abuses by law, according to the HIPA doctrine in Title I.  Family members and others can not made visual records and report these items, because these  reports violate the privacy acts of the patience.

The Memphis medical care system for seniors in group homes are in dire straits and the disrespect and treatment of our seniors is barely reported on.  However, other states are fighting back with legal cases that are carrying forward into other states.

Title I: Health Care Access, Portability, and Renewability

Title I of HIPAA regulates the availability and breadth of group health plans and certain individual health insurance policies. It amended the Employee Retirement Income Security Act, the Public Health Service Act, and the Internal Revenue Code....

Title I requires the coverage of and also limits restrictions that a group health plan can place on benefits for preexisting conditions. Group health plans may refuse to provide benefits relating to preexisting conditions for a period of 12 months after enrollment in the plan or 18 months in the case of late enrollment. Title I allows individuals to reduce the exclusion period by the amount of time that they had "creditable coverage" prior to enrolling in the plan and after any "significant breaks" in coverage. "Creditable coverage" is defined quite broadly and includes nearly all group and individual health plans, Medicare, and Medicaid. A "significant break" in coverage is defined as any 63 day period without any creditable coverage.

Title I also requires insurers to issue policies without exclusion to those leaving group health plans with creditable coverage (see above) exceeding 18 months, and ] renew individual policies for as long as they are offered or provide alternatives to discontinued plans for as long as the insurer stays in the market without exclusion regardless of health condition.

Some health care plans are exempted from Title I requirements, such as long-term health plans and limited-scope plans such as dental or vision plans that are offered separately from the general health plan. However, if such benefits are part of the general health plan, then HIPAA still applies to such benefits. For example, if the new plan offers dental benefits, then it must count creditable continuous coverage under the old health plan towards any of its exclusion periods for dental benefits.

An alternate method of calculating creditable continuous coverage is available to the health plan under Title I. That is, 5 categories of health coverage can be considered separately, including dental and vision coverage. Anything not under those 5 categories must use the general calculation (e.g., the beneficiary may be counted with 18 months of general coverage, but only 6 months of dental coverage, because the beneficiary did not have a general health plan that covered dental until 6 months prior to the application date). Since limited-coverage plans are exempt from HIPAA requirements, the odd case exists in which the applicant to a general group health plan cannot obtain certificates of creditable continuous coverage for independent limited-scope plans such as dental to apply towards exclusion periods of the new plan that does include those coverages.

Hidden exclusion periods are not valid under Title I (e.g., "The accident, to be covered, must have occurred while the beneficiary was covered under this exact same health insurance contract"). Such clauses must not be acted upon by the health plan and also must be re-written so that they comply with HIPAA.

To illustrate, suppose someone enrolls in a group health plan on January 1, 2006. This person had previously been insured from January 1, 2004 until February 1, 2005 and from August 1, 2005 until December 31, 2005. To determine how much coverage can be credited against the exclusion period in the new plan, start at the enrollment date and count backwards until a significant break in coverage is reached. So, the five months of coverage between August 1, 2005 and December 31, 2005 clearly counts against the exclusion period. But the period without insurance between February 1, 2005 and August 1, 2005 is greater than 63 days.

Thus, this is a significant break in coverage, and any coverage prior to it cannot be deducted from the exclusion period. So, this person could deduct five months from his exclusion period, reducing the exclusion period to seven months. Hence, Title I requires that any preexisting condition begin to be covered on August 1, 2006.

Title II: Preventing Health Care Fraud and Abuse; Administrative Simplification; Medical Liability Reform

Title II of HIPAA defines policies, procedures and guidelines for maintaining the privacy and security of individually identifiable health information as well as outlining numerous offenses relating to health care and sets civil and criminal penalties for violations. It also creates several programs to control fraud and abuse within the health care system.

However, the most significant provisions of Title II are its Administrative Simplification rules. Title II requires the Department of Health and Human Services (HHS) to draft rules aimed at increasing the efficiency of the health care system by creating standards for the use and dissemination of health care information.

These rules apply to "covered entities" as defined by HIPAA and the HHS. Covered entities include health plans, health care clearinghouses, such as billing services and community health information systems, and health care providers that transmit health care data in a way that is regulated by HIPAA.

Per the requirements of Title II, the HHS has promulgated five rules regarding Administrative Simplification: the Privacy Rule, the Transactions and Code Sets Rule, the Security Rule, the Unique Identifiers Rule, and the Enforcement Rule.

Privacy Rule

The effective compliance date of the Privacy Rule was April 14, 2003, with a one-year extension for certain "small plans". The HIPAA Privacy Rule regulates the use and disclosure of Protected Health Information (PHI) held by "covered entities" (generally, health care clearinghouses, employer sponsored health plans, health insurers, and medical service providers that engage in certain transactions.)






By regulation, the Department of Health and Human Services extended the HIPAA privacy rule to independent contractors of covered entities who fit within the definition of "business associates".   PHI is any information held by a covered entity which concerns health status, provision of health care, or payment for health care that can be linked to an individual. This is interpreted rather broadly and includes any part of an individual's medical record or payment history. Covered entities must disclose PHI to the individual within 30 days upon request. They also must disclose PHI when required to do so by law such as reporting suspected child abuse to state child welfare agencies.



Covered entities may disclose protected health information to law enforcement officials for law enforcement purposes as required by law (including court orders, court-ordered warrants, subpoenas) and administrative requests; or to identify or locate a suspect, fugitive, material witness, or missing person.


A covered entity may disclose PHI (Protected Health Information) to facilitate statment, payment, or health care operations without a patient's express written authorization.  Any other disclosures of PHI (Protected Health Information) require the covered entity to obtain written authorization from the individual for the disclosure.

However, when a covered entity discloses any PHI, it must make a reasonable effort to disclose only the minimum necessary information required to achieve its purpose.
The Privacy Rule gives individuals the right to request that a covered entity correct any inaccurate PHI.  It also requires covered entities to take reasonable steps to ensure the confidentiality of communications with individuals.


For example, an individual can ask to be called at his or her work number instead of home or cell phone numbers.
The Privacy Rule requires covered entities to notify individuals of uses of their PHI. Covered entities must also keep track of disclosures of PHI and document privacy policies and procedures. They must appoint a Privacy Official and a contact person   responsible for receiving complaints and train all members of their workforce in procedures regarding PHI.



An individual who believes that the Privacy Rule is not being upheld can file a complaint with the Department of Health and Human Services Office for Civil Rights (OCR).  However, according to the Wall Street Journal, the OCR has a long backlog and ignores most complaints. "Complaints of privacy violations have been piling up at the Department of Health and Human Services. Between April of 2003 and November 2006, the agency fielded 23,886 complaints related to medical-privacy rules, but it has not yet taken any enforcement actions against hospitals, doctors, insurers or anyone else for rule violations. A spokesman for the agency says it has closed three-quarters of the complaints, typically because it found no violation or after it provided informal guidance to the parties involved."




However, in July 2011, UCLA agreed to pay $865,500 in a settlement regarding potential HIPAA violations. An HHS Office for Civil Rights investigation showed that from 2005 to 2008 unauthorized employees repeatedly and without legitimate cause looked at the electronic protected health information of numerous UCLAHS patients.

Country's Worst Nursing Homes Receive Federal Insurance

November 17, 2014
 
 
last-station-nursing-home-4.jpegThe Center for Public Integrity recently revealed that hundreds of the country's lowest-rated nursing homes are receiving federally-backed, guaranteed mortgages. This assistance is worth billions of dollars, so why is it being given to facilities that harm residents and do not meet federal safety standards? Nursing home lawyers at Pintas & Mullins offer an investigation into this issue.

The Department of Housing and Urban Development (HUD) insures mortgage loans through a little-known program with little to no oversight. Throughout the country, nursing homes (and particularly for-profit chains) routinely receive HUD-guaranteed loans, regardless of the quality of care they provide.

Another federal agency, the Department of Health and Human Services (HHS) rates the country's nursing homes based on annual health inspections, staffing levels, and resident care. Take, for example, the Alden Alma Nelson Manor nursing home in Rockford, Illinois, which consistently earns the lowest possible quality rating from HHS, and has earned these abysmal ratings for the better part of a decade. Alden Alma recently paid hundreds of thousands of dollars in fines for the deaths of three residents and incidents of abuse and sexual assault. Despite this, Cambridge Realty Capital approved a $12 million mortgage for the facility, and the HUD insured the loan.
Another Illinois facility that received an HUD loan, the Crossroads Care Center in Woodstock, has a federal one-star rating. It was also fined about $360,000 for the deaths of six residents, including allegations that a nurse purposefully overmedicated and killed residents. That nurse, Marty Himebaugh, was found guilty of felony criminal neglect.

Again, despite this, in 2013 Crossroads Care received $4.4 million in a HUD-backed loan, it's second since 2001. Similarly, the Alden Wentworth Rehabilitation nursing home on Chicago's South Side received a $10.6 million HUD loan, even after a beloved resident fell four stories at the home, prompting a senate hearing. Two years before the loan, another resident died after wrongfully receiving narcotics for three weeks.

Stories like this abound throughout Illinois and the rest of the country. HUD officials claim that they are not made aware of safety and health issues, yet how this can be true is disconcerting. Why is there no system by which HUD employees must check a facility's quality of care before financing it? Why is there no emphasis put on regulatory enforcement, or communication between agencies - particularly when it comes to our nation's most vulnerable citizens?

The Center for Public Integrity states that this type of situation is not uncommon: since 2001, hundreds of the worst-ranked nursing homes in the country have received HUD-guaranteed loans, worth about $2.5 billion. In fact, the number of one-star nursing homes receiving HUD insurance rose every year between 2009 and 2012.

An esteemed nursing professor at University of California at San Francisco said that this HUD pattern points to serious issues about the communication - or lack thereof - between government agencies, an outrageous lack of oversight, and the improper use of public funding. There hasn't been any public scrutiny over the HUD's practices, which makes a bad problem even worse.
How, When, and Why This is Allowed

As mentioned, these loans are made possible by a little-known federal program: the National Housing Act of 1959, which was enacted by Congress to make it easier for nursing homes to secure loans on reasonable terms. It was created in effort to provide a reliable stream of income to nursing homes, which previously had trouble finding loans.

This may seem like a good thing, but the program means that if nursing homes default on the loans, the public pays (about $187 million in defaults have been incurred since 1959). These mortgages have been granted to over 7,000 nursing homes; currently, about 13% of all nursing homes have HUD-guaranteed loans.

About 240 nursing homes with a one-star rating have HUD loans, with Ohio having the most of any other state (30). In Illinois, 20 one-star nursing homes have HUD loans, and California ranked third among states. For-profit nursing homes make up the large majority of one-star loan recipients, with corporations owning two-thirds (despite representing only about half of all nursing homes nationwide). Experts believe that the HUD should restrict its guaranteed loans to only non-profit nursing homes, which generally run higher quality and safer facilities. This makes sense. The government should not be financing large, for-profit, multi-billion dollar corporations.

Part of the reason these facilities are able to get away with the death and demise of residents while still securing financial backing is because the owners spend hundreds of thousands in donations to political candidates.

Continue reading "Country's Worst Nursing Homes Receive Federal Insurance" »

Saturday, March 7, 2015

Kasey Williams



With the release of her self titled album, Kasey Williams utilizes emotion, whit, and a bit of
humor to show that even when songwriting comes from a personal place, it can still be fun. This
set of classic indie-pop songs span from catchy, up beat love songs, to tasteful emotional
ballads complete with beautiful string arrangements.

The first single, “Constant," is comprised of modern instrumentation, addicting vocal melodies,
and an all around feel-good aesthetic.

Williams points out that “Constant” was the first song she wrote for her album, but more
importantly, she believes it was the song that inspired her to pursue a career in songwriting.
Williams reminisces about her initial motivation behind the writing of “Constant”:
“I woke up one morning and the lyrics were in my head, so I sat down at my
small light up keyboard and just put my fingers where it felt good. A significant
someone once said we could be each others constant. I really liked that idea. As an
artist things are unpredictable and always changing, so it’s nice to have someone/
something that’s consistent.”

Kasey writes in such a way that the listener finds themselves relating to each of her songs in
one way or another. It is the exuberance of her character that is attached to these songs, and it
is that experience that makes the listener yearn for more. Kasey explains this phenomenon:
"This album is very personal. Every song on it comes from an honest place, even
if it may be light and fun. I feel very close to each of these for different reasons. So much
happened personally in my life over the years that these songs were written, and I think
they all paint a picture of where I was at the time."

There is a lot to be said for consumers just listening to the singles, but to get a full
understanding of where Kasey is coming from as a songwriter and as a person, listening to her
entire record is a must! Kasey’s songs build, breathe, and at times climb to a breaking point of
raw emotion.

Kasey has performed at venues such as Rockwood Music Hall in New York City and The
Acoustic Coffee House in Johnson City, Tennessee. Kasey was a featured performer for the
New York Song Circle in 2014 and she is an active volunteer with the non-profit organization
Musicians On Call. The songwriter just released a digital release of her new single on
Valentine's Day as part of her Seven Days Of Love Project for which released
a song and a video everyday for seven days (hence, the name) the week of Valentine’s Day.

Kasey Williams’ album, Kasey Williams, is available now at www.kaseywilliams.com,
and on most major digital outlets.

To hear and learn more of Kasey Williams, please visit: www.kaseywilliams.com

Wednesday, March 4, 2015

Ozonna - We Glow

“WE GLOW”
FROM THE U.K.’s NEWEST SENSATION “OZONNA”
 HYPERLINK "http://www.ozonna.com" www.ozonna.com 
LISTEN TO SINGLE ‘WE GLOW”: https://soundcloud.com/ozonna/we-glow



Ozonna, who recently moved to New York City, is poised to mesmerize this side of the pond with his highly visual personal style and own songs. Ozonna will release his debut U.S. single digitally, “We Glow,” on October 21st on Airgo Music. Bold and endearing, tough but tender, the next-generation rising star says he makes “positive music for the soul,” and “We Glow” certainly fits that description. “We Glow,” produced by Grammy-nominated Jimmy Greco (Beyonce, Paramore, Jennifer Lopez, Miley Cyrus) and hit songwriter/producer Russ DiSalvo (Celine Dion, Trisha Yearwood, Santana), will be released on video in November. An Ozonna album will follow in 2015.

Originally from Nigeria, Ozonna—whose background is in musical theater and who counts Madonna, Amy Winehouse and Pharrell among his biggest influences—first moved from Africa to London, where he met and worked with noted underground music producers. Inspired by the city, he adapted quickly to London’s ever-changing music scene, which readily embraced his distinctive sound. For Ozonna, the path to greater recognition is rooted in the messages he conveys within his songs.

“The artists that I’m inspired by are storytellers,” he told Examiner.com. “That’s the kind of artist that I am, and that’s what I want people to take away from my music. When I’m writing, I try to convey some kind of a message or something I feel strongly about or am inspired by. I think that’s what connects it.” 

Ozonna’s rich writing style and multi-cultural influences have shaped his music into what it is today, a tapestry of deep passion and love, woven from a diverse and exciting personal story. “Music is my motivation,” he said in one interview, and now Ozonna is motivated to bring his electrifying electro-pop sound to America.

With more than 300,000 views on You Tube, the hit video “Me & You On Top”  HYPERLINK "https://www.youtube.com/watch?v=hfBaT2gSe8o" https://www.youtube.com/watch?v=hfBaT2gSe8o  elevated the exciting 20-year-old singer-songwriter Ozonna into one of London’s most buzzed-about new artists. His sultry, charismatic voice has been described by KickKickSnare.com as “fragile, yet captivating, eliminating any sense of been-here-before,” and the UK press gushed that his “smooth, silky voice has no flaw.” 

Now, Ozonna, who recently moved to New York City, is poised to mesmerize this side of the pond with his highly visual personal style and own songs. Ozonna will release his debut U.S. single digitally, “We Glow,” on October 21st on Airgo Music. Bold and endearing, tough but tender, the next-generation rising star says he makes “positive music for the soul,” and “We Glow” certainly fits that description. “We Glow,” produced by Grammy-nominated Jimmy Greco (Beyonce, Paramore, Jennifer Lopez, Miley Cyrus) and hit songwriter/producer Russ DiSalvo (Celine Dion, Trisha Yearwood, Santana), will be released on video in November. An Ozonna album will follow in 2015.

Originally from Nigeria, Ozonna—whose background is in musical theater and who counts Madonna, Amy Winehouse and Lady Gaga among his biggest influences—first moved from Africa to London, where he met and worked with noted underground music producers. Inspired by the city, he adapted quickly to London’s ever-changing music scene, which readily embraced his distinctive sound. For Ozonna, the path to greater recognition is rooted in the messages he conveys within his songs.

“The artists that I’m inspired by are storytellers,” he told Examiner.com. “That’s the kind of artist that I am, and that’s what I want people to take away from my music. When I’m writing, I try to convey some kind of a message or something I feel strongly about or am inspired by. I think that’s what connects it.” 

Ozonna’s rich writing style and multi-cultural influences have shaped his music into what it is today, a tapestry of deep passion and love, woven from a diverse and exciting personal story. “Music is my motivation,” he said in one interview, and now Ozonna is motivated to bring his electrifying electro-pop sound to America.

Tuesday, February 24, 2015

Local Fox anchor complains about Lady Gaga’s ‘jigaboo music’ during Oscars coverage

Local Fox anchor complains about Lady Gaga’s ‘jigaboo music’ during Oscars coverage

By DAVID EDWARDS
23 FEB 2015 AT 10:38 ET




Kristi Capel, an anchor for Cleveland’s Fox 8, complained about “jigaboo music” during Monday morning coverage of the Academy Awards.

WJW New in the Morning anchor Wayne Dawson reported on Monday that singer Lady Gaga had performed a tribute for the 50th anniversary of the Sound of Music at Sunday night’s Oscars.

“Lady Gaga, surprising a lot of people last night with this tribute to Sound of Music,” Dawson said, adding that actress Julie Andrews called it “wonderful.”


Capel remarked that she had also been surprised by Lady Gaga’s performance.

“It’s hard to really hear her voice with all the jigaboo music — whatever you want to call it — jigaboo!” Capel opined.

“She has a nice voice,” Dawson, who is black, said after a nervous laugh.

“She has a gorgeous voice,” Capel agreed. “I never knew. Very nice.”

According to Dictionary.com, “Jigaboo” is an “extremely disparaging and offensive” term for black people. Culture blogger Rafael Otto writes that the term was coined as description of dancing black slaves in the 1800s.

After several people complained to Capel on Twitter, she cut and pasted the same explanation to each of them.