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Tuesday, February 17, 2015

Kitt Sharpio - The daughter of Eartha Kitt



Eartha Kitt's life was scarred by her failure to learn the identity of her white father, says daughter

Singer's search to discover more about her origins was frustrated by official secrecy


Eartha Kitt on TV
 Eartha Kitt in a TV series in 1975 during her stay in Britain. Photograph: ITV/REX

Eartha Kitt's daughter has revealed  the singer died without knowing the identity of her white father, after being denied the truth by officials in the American Deep South.
Kitt's extraordinary life and elusive past has come under the spotlight five years after her death, with publication of a biography called America's Mistress: Eartha Kitt, Her Life and Times by British journalist John Williams.
The world-famous singer came from a dirt-poor background and only found out her date of birth when she was 71. But according to her daughter, Kitt Shapiro, who chose not to co-operate with the biography, when Eartha launched a legal fight to gain access to the birth certificate she fell victim to a cover-up by officials. The singer, who died in 2008, wept when she set eyes on the certificate in 1998, only to find that her father's name had been blacked out, said Shapiro, her only child, who had accompanied her mother. Shapiro said in an interview with theObserver: "My mother was 71 at the time and it was approaching the 21st century, and yet they were still protecting the name of the father even though he was clearly dead. They were protecting the white man because they would not have gone to that trouble to protect a black man. The courts still held it as legal to withhold the documentation. We were amazed. My mother assumed it was their dirty little secret."
Once called the "most exciting woman in the world" by Orson Welles, Kitt became a singer and dancer whose suggestive and sensuous performances captured the public imagination in the 1950s. Her former lover Charles Revson, the billionaire founder of Revlon cosmetics, even created a lipstick for her, calling it Fire and Ice. In the 1960s she made the role of Catwoman her own when she became the first black woman to achieve mainstream TV success in America with Batman, even breaking racial taboos by flirting on screen with Adam West in the lead role.
Much of Kitt's background remained shrouded in mystery, with the performer convinced that her date of birth was 26 January 1926. Born in the tiny hamlet of St Matthew's, South Carolina, Kitt's mother, Annie Mae Keitt, abandoned her daughter at an early age when she found a new man with little time for the light-skinned Eartha.
Shapiro, who now lives in Connecticut, said: "In 1927, to be a light- skinned black person in the South was just as horrible as being a black person in the white South. My mother was not accepted by the black community.
"She never found out her father's name, but always assumed he was white. My mother was referred to as a 'yellow gal', which was not a compliment. It meant someone who thought they were better than everyone else even though my mother was just a child at the time. She was horribly abused in the South. She was beaten, mistreated, emotionally and physically."
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Eartha Kitt was taken in by a relative called Aunt Rosa, but far from finding sanctuary fell victim to her abusive relative and from a young age was obliged to earn her keep by picking cotton. But the horror did not end there because she witnessed the death of her mother when she was around seven years old.
Shapiro, 51, said: "She was convinced her mother was poisoned. My mother remembered being brought to her mother who was dying and a baby was passed over her mother's body. My mother's interpretation was that this was because the death was not natural: it was voodoo. It was spiritual."
Soon after her mother's death, Kitt was sent to live with another relative in New York, where she would later win a place with America's first black modern dance company, run by Katherine Dunham. During the company's tour to Paris and London, Kitt broke away to make a solo career and Britain would become a second home for Kitt and her daughter. But it was only when Kitt was invited to give a speech at Benedict College in Columbia, the capital of South Carolina, in 1997 that the singer managed to come to terms with her original home.
Shapiro said: "It was like much of my mother's life: it was just a case of a door opening. She was invited to speak at this college and I went down with her. During the speech someone asked her about her background and parents since she was from the area. My mother said that she had tried to find her birth certificate during the 1950s but was unsuccessful.
"She said if anyone can find it, then she would be most grateful. So the kids found some information that eventually led us going back down to the South."
She added: "We had to get a lawyer and petition the court to get the records opened and this took about six to seven months. We flew down to see the records but were allowed just 15 minutes … She was very nervous and outside the judge's chambers she went quiet. She was visibly nervous about what she was going to see. I knew the signs because before she went on stage she was always terrified. It was a female judge who stepped aside while we read the records on her desk. The father's name was blacked out. My mother shed a few tears and then the 15 minutes was up."
Williams claims that Kitt's father was Daniel Sturkie, a local white doctor. But Shapiro said: "I do remember the name because we were told they were one of the local white families, but I cannot recall whether it was suggested he was the father. There were a lot of names."
Shapiro, who worked for her mother for more than 20 years, believes that this failure to find out her mother's origins explains her tortured relationship with the South and her own identity. "My mother never really felt comfortable in her own skin because she never really knew who she was until then. She did not even know how old she was. She had always put 26 January 1926 on her passport, but actually she was born on 17 January 1927."
Kitt became a leading light in the civil rights movement in the 1960s but when she condemned the Vietnam war on a visit to the White House her career in the US ended and the CIA branded her "a sadistic nymphomaniac". By then Kitt had divorced the father of her daughter, Bill McDonald, who was a white businessman and wounded Korean war veteran addicted to painkillers, and mother and daughter moved to London to relaunch her career in Europe. Shapiro said: "We lived in Knightsbridge and later Fulham. I went to school in London and spent many a year in England. My mother regarded England as a second home."
In 2008 Kitt died on Christmas Day at her US home after being diagnosed with colon cancer. Now her daughter has set up a business called Simply Eartha in her mother's memory, as well as managing her estate. She said: "She carried the scar of her rejection with her all her life. She was rejected for the colour of her skin ironically by both black and white.
"To some extent, I think my arrival completed her because it gave her a family that she never had."

Saturday, May 10, 2014

The Muse's News

The Muse's News An E-zine For And About Songwriters. Issue 17.2 May 2014 In This Issue: * Editor's Musings * Music Reviews - None this month - Send in your music! :) * New Artist Spotlight Additions * Songwriting Book Review - by Tim Zbikowski * Musical Notes - Songwriting Contests & Market Info. * Muse's Clues - Songwriting Web sites that inspire -by adventurer and songwriter, Richard Miller. * Featured ArticleQuick Tip: What Do Rubber Bands, Sneezes, and Melodies Have In Common? by Brad Dunse * On Site Featured Article - An article (or articles) already online for your viewing pleasure. * Classifieds & Useful Services * Contact information ISSN 1480-6975. Copyright 1998-2014 - Jodi Krangle. For more contact information, see end of issue. FIND THE PERFECT GIFT FOR THE SONGWRITER IN YOUR LIFE! All sorts of products and services especially for songwriters, negotiated so that you get the best price possible. You'll find means of promotion and distribution, songwriting aids, educational products, musical instruments and their accessories, and lots more. Any of these items would make a fantastic present for a songwriter in your life (even if it's you! :-) ) Have a Look! NEED A NEW WEB HOSTING SERVICE FOR YOURSELF OR YOUR BAND? I personally use HostDime - and LOVE them. Really. Their service is superb and prompt, they really know what they're doing, you can chat with them 24 hours a day, 7 days a week, and their pricing (The Muse's Muse uses a dedicated server) is very reasonable. Check them out! Sponsor Message: (Many thanks to the sponsors that help support this newsletter!) Write Better Songs with MasterWriter 2.0 - at a New Price!WRITE BETTER SONGS WITH MASTERWRITER 2.0 - NEW PRICE! (And Muse's News readers *still* get a special discount!) Looking for something really special for that songwriter in your life? (Maybe it's you!) MasterWriter 2.0 is the most powerful suite of songwriting tools ever assembled in one program. MasterWriter is endorsed by ASCAP, BMI, SESAC, NSAI and is used by some of the world's leading songwriters including Gwen Stefani, Rob Thomas, Kenneth "Babyface" Edmonds, Jimmy Webb, Kenny Loggins, Trent Reznor, Clint Black, and many more. In addition to giving you Rhymes, Close Rhymes, Phrases, Pop-Culture, Synonyms, and the Definition, new features include Word Families and Parts Of Speech, two unique and revolutionary reference dictionaries that will open up a new world of possibilities for descriptive words and ideas. There have been updates and improvements to the existing features, including greatly expanded Sound-Alikes (close rhymes), and a completely redesigned Interface. These are serious tools for the serious songwriter. MasterWriter's NEW price is now only $199 - but you'll still get a *$20* discount (your price is just $179!) by ordering through The Muse's Muse! Take the Tour, Download a Free Trial, and get a $20 discount! Note that the auto-inserted discount number 3004 will apply the $20 discount when ordering online. Windows and Mac compatible. Editor's Musings: Well folks, for those of us just coming out of the deep freeze, I salute you. :) Honestly, it's been a bit quiet around here. That can be nice sometimes. To me, it anticipates a *really* busy summer. Hope it does for you guys too! Unfortunately, David M Taylor II discovered he'd overextended himself and had to step down as our new Muse's Clues writer. We have a replacement, however. And I'm really excited about this because I think he'll bring you some great options for both online resources *and* apps for your iPad, iPhone or android device. His latest article is included below so I hope you'll join me in welcoming, Richard Miller. I think you'll really enjoy his unique perspective. Moving right along, the raffle winners this month are: Miguel Capelo, from Durban, South Africa, has won a copy of Virtual Studio Systems' Lyricist software. Bethany Bastura from Austin, TX, has won a copy of James Moore's digital music marketing book, "Your Band Is A Virus - Expanded Edition". This edition is the bigger and better version of the bestselling book "Your Band Is A Virus - Behind-the-Scenes & Viral Marketing for the Independent Musician". Almost double the size of it's predecessor, it's the ultimate music marketing guide for serious independent musicians and bands. Rose Johnson, from Briarcliff Manor, NY, has won a free 3 month membership to SongU, an Internet-based learning environment providing online coaching, co-writing and pitching opportunities, in addition to over 70 multi-level courses developed by award-winning songwriters. Terri Evenson from Nashville, TN, has won a 6 month membership to GuitarMasterClass.net. GMC has tons of helpful videos, instructors and lessons along with a forum for chatting with teachers and students 24/7, recording collaborations, attending video chats, & content for bass, drums, singing, piano, etc. DO YOU WANT TO WIN A RAFFLE PRIZE? If you'd like to be considered for a raffle prize yourself, have a look at the various prizes offered at the top of The Muse's News webpage, decide which prizes you'd most like, and email me with your top two choices along with your mailing address so that I can get the prizes to you. Yes, it's really that simple. :) (And yes, the mailing address is kinda important. I promise it won't be used for any other reason than to send you your raffle prize - and to mention your approximate location in the notice of raffle winners you see above here.) Really glad to have you with us and I hope you have a wonderfully inspirational spring! All the best, --Jodi Return to the Top Contact Info & Credits Jodi Krangle, Editor: editor@musesmuse.com The Muse's News is a free monthly newsletter for and about songwriters. Subscribers are welcome to recirculate or reprint The Muse's News for nonprofit use as long as the appropriate credit is given and the ENTIRE text of the newsletter is included (including credits and information at the end of each issue). Others should contact me at editor@musesmuse.com. All articles copyrighted by their authors. Back issues and other information will be available here. The Muse's News is part of The Muse's Muse, a web resource for songwriters. For further information, send your e-mail to: adinfo@musesmuse.com - How to place a classified ad, pass on market information or sponsor The Muse's News. info@musesmuse.com - How to subscribe or end your subscription. editor@musesmuse.com - To submit articles,reviews,ideas,etc. SNAILMAIL: Please contact me first at editor@musesmuse.com

Monday, March 17, 2014

New Sanctions Against Russia




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U.S. Imposes New Sanctions on Russia

President Obama announced sanctions aimed at President Vladimir V. Putin’s inner circle.
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Following is a transcript of President Obama’s announcement of new sanctions in response to Russian actions in Ukraine, as provided by the White House.
MR. OBAMA: Good morning, everybody. In recent months, as the citizens of Ukraine have made their voices heard, we have been guided by a fundamental principle -- the future of Ukraine must be decided by the people of Ukraine. That means Ukraine’s sovereignty and territorial integrity must be respected, and international law must be upheld.


And so, Russia’s decision to send troops into Crimea has rightly drawn global condemnation. From the start, the United States has mobilized the international community in support of Ukraine to isolate Russia for its actions and to reassure our allies and partners. We saw this international unity again over the weekend, when Russia stood alone in the U.N. Security Council defending its actions in Crimea. And as I told President Putin yesterday, the referendum in Crimea was a clear violation of Ukrainian constitutions and international law, and it will not be recognized by the international community.
Today, I’m announcing a series of measures that will continue to increase the cost on Russia and on those responsible for what is happening in Ukraine. First, as authorized by the executive order I signed two weeks ago, we are imposing sanctions on specific individuals responsible for undermining the sovereignty, territorial integrity and government of Ukraine. We’re making it clear that there are consequences for their actions.
Second, I have signed a new executive order that expands the scope of our sanctions. As an initial step, I’m authorizing sanctions on Russian officials -- entities operating in the arms sector in Russia and individuals who provide material support to senior officials of the Russian government. And if Russia continues to interfere in Ukraine, we stand ready to impose further sanctions.
Third, we’re continuing our close consultations with our European partners, who today in Brussels moved ahead with their own sanctions against Russia. Tonight, Vice President Biden departs for Europe, where he will meet with the leaders of our NATO allies -- Poland, Estonia, Latvia and Lithuania. And I’ll be traveling to Europe next week. Our message will be clear. As NATO allies, we have a solemn commitment to our collective defense, and we will uphold this commitment.
Fourth, we’ll continue to make clear to Russia that further provocations will achieve nothing except to further isolate Russia and diminish its place in the world. The international community will continue to stand together to oppose any violations of Ukrainian sovereignty and territorial integrity, and continued Russian military intervention in Ukraine will only deepen Russia’s diplomatic isolation and exact a greater toll on the Russian economy.
Going forward, we can calibrate our response based on whether Russia chooses to escalate or to de-escalate the situation. Now, I believe there’s still a path to resolve this situation diplomatically in a way that addresses the interest of both Russia and Ukraine. That includes Russia pulling its forces in Crimea back to their bases, supporting the deployment of additional international monitors in Ukraine, and engaging in dialogue with the Ukrainian government, which has indicated its openness to pursuing constitutional reform as they move forward towards elections this spring.
But throughout this process, we’re going to stand firm in our unwavering support for Ukraine. As I told Prime Minister Yatsenyuk last week, the United States stands with the people of Ukraine and their right to determine their own destiny. We’re going to keep working with Congress and our international partners to offer Ukraine the economic support that it needs to weather this crisis and to improve the daily lives of the Ukrainian people.
And as we go forward, we’ll continue to look at the range of ways we can help our Ukrainian friends achieve their universal rights and the security, prosperity and dignity that they deserve. Thanks very much. And Jay, I think, will be available for questions. Thank you.

Tuesday, March 11, 2014

Aron Lyrd



How many members does a band need to create a good sound? Many may say maybe three or four, while those who are more aware of the music scene today could say that a duo is enough. But the fact is that even one single great musician can create what one group of six people are hardly able to do. However, few are those who can go beyond creating great music to creating something truly special. This is the case of Aron Lyrd.

In his latest release, Lucid Dreams, this great composer and guitarist from Philly brings a style that reminds us of different bands from Matchbox 20, Oasis, and David Bowie to the legendary Led Zeppelin or Black Sabbath. Some of this can be seen in the first song, “Gasoline,” where guitar riffs mix with powerful bass lines and drum beats. Subtly aggressive and original Lyrd vocals are responsible for giving us a reason to shake our head, go crazy, dance, and turn on the engines.

“Becoming Extinct” is a catchy sound, and it has a While The Killers meets Smashing Pumpkins vibe with a little mess in between, like a cat fight. On the other hand, “Beginning” has that Chilli Peppers style (think “Under the Bridge”) with rather bleak voices.

“Come Again” is funky, fun, and entertaining, like a cross between Red Hot and Lenny Kravitz. It gets us up and down. The bass is definitely the star of this track. “Everybody Loves An Event” is going for a more Bon Jovi sound, and as far as production is concerned, it is quite different from the others.

“Grassy Banks” brings different elements. Tribal drum beats with an acoustic guitar give a Latin touch to the song.

“Hey, Hey” is quite eighties. As a soundtrack to movies like The Breakfast Club or any of John Hughes’s teen films. Entertaining, easy to listen tp, again it has those guitar chords and drum beats with faint melodious vocals by Lyrd; everything fits perfectly.

“Made In A Minute” contains new instruments such as a synthesizer that reminds us a little of Tears For Fears and Duran Duran. The rhythm guitars and riffs are excellent. The drums again make an appereance, guiding our feet to the beat of the song and along with the bass lines, all are present at this event. It’s epic and amazing. You can see some influence even of Oasis and MUSE.

“Shadows On Me” is like Third Eye Blind and Bruce Springsteen had a baby. It’s really catchy, and once again there are the acoustic chords and pretty much the same things we have been hearing in the other tracks.

In conclusion, each song has its special touch. One may be better than another one, but in the end, they all sound excellent and are worth listening to. Returning to the roots of this wonderful genre, Aron Lyrd ends up delighting us with something we can call rock.

Thursday, February 27, 2014

Justin Bieber just won't behave: Five revelations from Rolling Stone's new issue

MEMPHIS TN (IFS) -- When you are no wanted in Atlanta and your own country (Canada) do not want to claim you -- maybe you should get a hint?
 
 
 
 
Justin Bieber just won't behave: Five revelations from Rolling Stone's new issue
Rolling Stone
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There's a fine line between having more fun than any teenager alive and completely melting down. Justin Bieber seems determined to find it — and Rolling Stone goes inside the egg-throwing, hard-partying, drag-racing, arrest-resisting, brothel-patronizing, lightning-quick fall of a pop icon in our new issue (on stands Friday). Contributing editor Claire Hoffman gets the dirt on the 19-year-old's most recent troubles, uncovering events that would make the singer's core Beliebers lose their faith. Here are five of the most shocking revelations:

Also from Rolling Stone: From "Baby" to bad boy: track Justin Bieber's life in photos
 
One of Justin's wildest nights went down at a Miami strip club called King of Diamonds Gentlemen's Club. Bieber puffed a G Pen weed vaporizer and blew through the $75,000 in small bills his bodyguards brought for him in the VIP room, accepting lap dance after lap dance. The occasion? The January birthday of Bieber's pal, rapper Lil Scrappy. Two days later, Justin was arrested for drag racing in a rented Lamborghini.

Insiders blame Bieber's dad for encouraging Justin's bad behavior. Bieber's 38-year-old pop Jeremy split with Justin's mom when he was a toddler, but has reappeared in a big way. "His father's not a great influence," says a source. "They're almost not like father and son — it's more like two best friends." Jeremy was in the strip club with Justin, enjoying the overflow of his son's parade of strippers, and was also present when Bieber was busted for drag racing (he was accused of helping block off traffic).

As early as 2010, Bieber began to show signs of stress. Justin broke down in tears backstage one day, bemoaning his lack of privacy. "If you want the Michael Jackson career, you have to grasp that you are never going to be normal again," his manager Scooter Braun told him.

Also from Rolling Stone: Justin Bieber's wild decline: a timeline of the Canadian idol's spiral Three authority figures confronted Justin after his night in jail – but that didn't slow his wild behavior. After his night in jail, Bieber left Miami for Panama, with his gal pal Chantel Jeffries. Usher, Bieber's mother and Braun flew to Panama to have a serious talk about his the singer's behavior, shipping Jeffries back to Miami. A source close to the Bieber camp said the trip wasn't an intervention, but "a conversation, reminding him of the people who care about him, and to consider things to do about it."

After the non-intervention, Bieber and his dad took off on an even more out-of-control trip. Justin and Jeremy rented a private plane to take them from Toronto to Teterboro Airport outside New York for the Super Bowl. According to a leaked incident report, the pair were so verbally abusive to a flight attendant, she hid in the cockpit with the pilots. The pilots were so overcome by the weed smoke, they had to wear oxygen masks to fly the plane.

Also in this issue: Tim Dickinson on the minimum wage, David Fricke on the making of Green Day's Dookie, Sabrina Rubin Erdely on the story of an autistic teen targeted by an undercover cop, inside True Detective and more.