donner pass uc davis

Joelee

Supamodel Joelee is a Hip Hop/Dancehall Reggae recording artist. My colorful lyrics, and my savvy flow and delivery are my trademark. My range, fierceness and versatility help me bring across in my music sounds that no artists have ever been able to fully master. I am able to fuse two of the most dynamic cultures, and I do it well. “I’m bringing hip hop back to its roots, which is dancehall reggae”. Being from Kingston, Jamaica and base in New York City, I am able to draw the best influences from both genres.

I realized I had an unwavering love for the sound of music and instruments at a very young age. I remember going to church with my grandmother and listening to her sing, and being fascinated by the sound of the tambourine. “I think my big voice comes from my grandmother’s influences. She had one of the loudest singing voice I have ever heard.”

By my teen years, I began writing poems that turned into songs. I carried a hardcover book and pen where ever I went, and would blurt out singing to whomever would listen. I also entered several local talent shows. “Growing up, there was so much turmoil in my life, and music was my saving grace (safe haven). I didn’t have a television, so I kept myself entertained with writing and singing”. I was faced with many adversities on the journey to my music career, but I was not deterred. I knew I was destined for great things.

In my late teen, I started a career in modeling while simultaneously pursuing a music career. “Being on stage for the first time at a fashion runway show, I was electrified… finally somewhere I belong”. At that moment I realized that I loved being on stage, and fell head over heels with entertaining people.

My music career turned professional in 2008 when I signed with music label DAGCK. DAGCK saw my potential as an artist with worldwide marketable attributes. Living in Jamaica, my immediate influence in sound was Dancehall Reggae. Therefore, before my music would first be introduced to markets outside of Jamaica, I knew I needed a fresh new sound that compliments my Supamodel image. That led to me fusing Hip Hop with Dancehall Reggae.

I first showcased my complimentary rap/dancehall reggae style and flow with the release of “Model Chic” in 2012. “Model Chic” was well received by DJs, radio stations, and music listeners; most of whom often described Supamodel Joelee as being “different and unique”. In 2013, a Model Chic promotional tour was launched across the southern and northeastern United States. During 2014, I spent most of my time writing, recording and honing my craft.

In summer 2015, I released my latest single “PFAT” produced by DAGCK and DJ D Live. “PFAT” is sexy, yet powerful, and allows women to feel good about themselves while “twerking” out in the clubs or at home. “PFAT” has been generating a buzz on social media, and an official video directed by Mills Miller has been released. “PFAT” official music video is sexy and captivating, and is sure to leave you in euphoric awe.

I am currently in the studio working on several singles to be released in fall 2015 and spring 2016. These releases are a step closer to my ultimate goal of releasing my mixtape or EP.

“I do music for everyone! No matter where you’re from you should be able to rock-out to one of my songs. I am coming with fire so be prepare”.

Belfast duo ‘The Graceland Conspiracy’

BROKEN CHAOS EP

 

 

Belfast duo ‘The Graceland Conspiracy’ hook up with folk songstress Edelle McMahon to release 3 tracks on the ‘Broken Chaos’ EP across multiple formats.

 Feature track ‘We are Chaos’ (featuring Edelle McMahon)

 

Track 1

‘We are Chaos’  (featuring Edelle McMahon) 

Available as digital download and on limited edition CD

 

Track 2

‘Into Pieces’

Available as digital download and on limited edition CD

 

Track 3

‘My,My,My’

Available as digital download and on limited edition CD

    ALTWISTEDANDARKCATCHYPOPSTYLINGS

 

Formed in 2013 The Graceland Conspiracy are :

 Crooksy -Vocals/guitar/bass/keys/song writing/manifesto

  Wilki -Guitars/keys/FX/guidance/black ops.

 

Sometimes its just Crooksy, sometimes he is joined by Wilki. Occasionally, other people are brought in to do the things they can’t do.  

These two first got together in the mid nineties and formed an on/off musical partnership that has seen them write, record and perform both together and separately ever since.  Their musical adventures have taken them all over Ireland sharing the bill with a diverse range of acts from the Manic Street Preachers to The Mission to Fairport Convention. Radio and TV appearances have been numerous on BBCNI, UTV and RTE.

Both are originally from Belfast, Northern Ireland and that’s where they cut their teeth, playing live and recording, including several singles on the legendary Good Vibrations label written by Crooksy whilst in PBR Streetgang. 

The philosophy is simple - using old tunes found lying around their heads, they have forged together a handful of musical pieces, guitar riffs, piano fragments, bass lines, fx pedals , old microphones, gaffer tape and trumpet stabs. A mixture of gothic tones and sparkling pop, sun drenched despair to joyous thunderstorms.

To get your musical bearings The Graceland Conspiracy are influenced by/copied/ripped off/show respect to: Sparklehorse, Eels, Mark Lanegan, Sigur Ros, The Doors plus various Blues, Country, Punk, Folk bands as well as numerous films, TV shows and cartoons…… a 21st Century Soundtrack.

 

To date the band have release the 4 track ‘Glitter Spitter’ EP on Nub Country Records

Download  from www.7digital.com

One track ‘Feeling Good’ on Independent No 1s Vol. 3 compilation on W.O.A. Records.

Download from http://www.independentnumberones.com

N-Roque

Indian rock artist N-Roque recruits countrymen to honor the King of Rock in new music video

N-Roque, one of India’s fastest rising stars in the country’s rock scene, has just released his latest single “Elvis is Reborn,” garnering over 15,000 views in a little more than one week. The video is the first of its kind to pay homage to The King of Rock, featuring numerous Indians enthusiastically showing their support for Presley and his iconic music.
In spite of the catchy, uplifting beats and humor, the song’s message is rooted in a more serious theme: that the power of music can carry across generations and inspire people to do great things. In addition to N-Roque’s love for Elvis, fans will also catch hints of his many other inspirations, including Black Sabbath, Pink Floyd, Metallica, Dave Matthews and more.
“My dad was a huge Elvis fan,” N-Roque says. “Now, years of after his death, I was looking for a way to not just express my love for him, but also for the love of music that he put into me by having Elvis on in our home all the time growing up. I know I’m not the only person to grow up around here listening to The King, so we also thought it would be fun to include people from every walk of life in the video.”
The video was directed by Randal Periera and shot in Mumbai. The Music was  produced by the renowned Eric Pillai, an award winning Indian Music Producer and mixing master engineer who has credits on more than 2000 songs and has received India’s highest honors and recognition for his work in Bollywood.
“I really owe a lot of who I am to Eric,” N-Roque says. “He was one of the first people to see the potential in my work and signed me to a production deal that has taken me where I am today. It’s been such an honor to work with him, and I’m really looking forward to what the future has in store for us.”
N-Roque is planning to release five more singles over the course of 2015, and hopes to eventually bring his art on tour across Europe and the United States. Until then, however, he says he’ll continue making the kind of music his fans have come to love him for.
“This is all for them,” N-Roque says. “Music is for everyone, and that is the message behind every song we produce and I wouldn’t have it any other way.”
Contact: http://nroque.com/contact
Email - nroqueofficial@gmail.com
FB:- www.facebook.com/nroqueofficialpage
Music Video - https://youtu.be/kzL6SP5SGnk

Ya / George Thomas

 Ya / George Thomas

George Thomas / Press

« Back to Profile Manage »

 

“’With a vocal style reminiscent of the late great Johnny Cash, original instrumentation and impeccable melodic instincts, George Thomas has fused traditional pop elements into something truly his own.' — George Thomas Akademia-Award winning songwriter & artist”

Anwar Najmi - The AKADEMIA

“George Thomas’ Big Heart By Kendra Beltran.   George Thomas is a singer songwriter who sings with a lot of conviction, no matter the subject manner.

 “Crazy In Love” is not a Beyonce cover, but his own take on being so deeply into someone. Thomas’ is more a demure take on the subject. Then we get even more love, only this time amped up with “A Little Bit of Love.” This one has more energy in the music than the last. Then he gets real and I think sings about something everyone has been through in “I Need Someone.”

 A surprising title to find in this singer songwriter’s catalogue was “Welcome ToThe Ghetto.” It’s got this funky way and plays it cool. It’s a drastic difference than where we started with George Thomas. It’s refreshing and showcases a different side of that really works out well. So if you like artists who write from the heart but who aren’t afraid to let their hair down once in awhile, check out George Thomas now. (http://georgethomas.tv/home) In”

Kendra Beltran - IndieMusic Reviews

“VIACOM MEDIA NETWORKS A DIVISION VIACOM INTERNATIONAL.INC We are very excited to announce the launch of Artists.MTV and the signing agreement with the World Video Game Corp. To promote the recording artist George Thomas and Ya.”

VIACOM MEDIA NETWORKS - MTV

“From a song standpoint, this is one of the few albums where I don’t skip any songs at all. Each song is very well written, and the album flows seamlessly together from one song to the next. George Thomas & Ya is a pretty amazing group. George Thomas & Ya: ‘INBOUND’ A Timeless Rollercoaster Ride! BY RICK JAMM ON JULY 23, 2013 IN REVIEWS”

RICK JAMM - Rick Jamm REVIEWS

“21st Century Artists welcomes George Thomas and Ya to Hollywood. March 1,2013 We really enjoy your tunes. Your music's uniqueness stands atop. We are excited about promoting your tracks here in Hollywood – We particularly were fond of these hits: "Don't Waste My Time" "Love is All You Need To Know" "The Desert Ext Mix" "Someone to Love" "Robot Mama" and many others. Your music is stunning. Mitch. A&R 21st Century Artists, Inc.”

Mitch - 21st Century

“Our Stage Magazine Thanks George Thomas for bringing your amazing talent to our stage!”

Our Stage Staff - Our Stage Magazine

“All Indie Magazine "Field of Dreams" It was like listening to Roy Orbison or The Moody Blues. Thanks again for your submission and I hope you find the exposure you're seeking. Mikey Jayy ”

Mikey Jayy - All Indie Magazine

— George Thomas
Akademia-Award winning 
songwriter & artist
Congratulations on winning the Akademia Music Award for Best Rock / Electronica album for ‘Journey’.
Akademia Award Best spoken song “Together”
http://www.theakademia.com/may2015_bestsong_reggaepop.html
Without You by George Thomas. https://www.youtube.com/watch?v=kx0OG_-x0XA
Love For You Now. https://www.youtube.com/watch?v=tvu_NLWySZ4

Constantijn Huygens

Constantijn Huygens

Constantijn Huygens (1623)

Constantijn Huygens (September 4, 1596 – March 28, 1687), was a Dutch Golden Age poet and composer. He was secretary to two Princes of Orange:Frederick Henry and William II, and the father of the scientist Christiaan Huygens.

Biography

Constantijn Huygens was born in The Hague, the second son of ChristiaanHuygens (senior), secretary of the Council of State, and Susanna Hoefnagel,niece of the Antwerp painter Joris Hoefnagel.

Education

Constantijn was a gifted child in his youth. His brother Maurits and he wereeducated partly by their father and partly by carefully instructed governors. Whenhe was five years old, Constantijn and his brother received their first musicaleducation.

Music education

They started with singing lessons, and they learned their notes using gold coloredbuttons on their jackets. It is striking, that Christiaan senior imparted the 'modern'system of 7 note names to the boys, instead of the traditional, but much morecomplicated hexachord system. Two years later the first lessons on the violstarted, followed by the lute and the harpsichord. Constantijn showed a particularacumen for the lute. At the age of eleven he was already asked to play forensembles, and later — during his diplomatic travels — his lute playing was indemand; he was asked to play at the Danish Court and for James I of England,although they were not known for their musical abilities.

Art instruction

They were also schooled in art through their parents art collection, but also their connection to the magnificent collection of paintings in theAntwerp house of diamond and jewellery dealer, Gaspar Duarte (1584–1653), who was a Portuguese Jewish exile.

Language lessons

Constantijn also had a talent for languages. He learned French, Latin and Greek, and at a later age Italian and English. He learned bypractice, the modern way of learning techniques. Constantijn received education in maths, law and logic and he learned how to handle a pikeand a musket.

In 1614 Constantijn wrote his first Dutch poem, inspired by the French poet Guillaume de Salluste Du Bartas, in which he praises rural life. Inhis early 20s, he fell in love with Dorothea, however their relationship did not last and Dorothea met someone else. In 1616, Maurits andConstantijn started studies at Leiden University. Studying in Leiden was primarily seen as a way to build a social network. Shortly after,Maurits was called home to assist his father. Constantijn finished his studies in 1617 and returned home. This was followed by six weeks oftraining with Antonis de Hubert, a lawyer in Zierikzee. De Hubert was committed to the study of language and writing, having heldconsultations with Pieter Corneliszoon Hooft, Laurens Reael and Joost van den Vondel concerning language and orthography in 1623.

Early career

In the Spring of 1618 Constantijn found employment with Sir Dudley Carleton, the English envoy at the Court in The Hague. In the summer,he stayed in London in the house of the Dutch ambassador, Noël de Caron. During his time in London his social circle widened and he alsolearned to speak English. In 1620, towards the end of the Twelve Years' Truce, he travelled as a secretary of ambassador François van Aerssen to Venice, to gain support against the threat of renewed war. He was the only member of the legation who could speak Italian. InJanuary 1621 he traveled to England as the secretary of six envoys of the United Provinces with the object of persuading James I to supportthe German Protestant Union, returning in April of that year. In December 1621 he left with another delegation, this time with the aim ofrequesting support for the United Provinces, returning after a year and two months in February 1623. There was yet another trip to England in1624.

Muiderkring

He is often considered a member of what is known as the Muiderkring, a group of leading intellectuals gathered around the poet Pieter Corneliszoon Hooft, who met regularly at the castle of Muiden near Amsterdam. In 1619 Constantijn came into contact with Anna RoemersVisscher and with Pieter Corneliszoon Hooft. Huygens exchanged many poems with Anna. In 1621 a poetic exchange with Hooft also starts.Both would always try to exceed the other. In October of that year Huygens sent Jacob Cats a large poem in Dutch, entitled 't Voorhout, abouta woodland near the Hague. In December he started writing 't Kostelick Mal, a satirical treatment of the nonsense of the current vogue. In 1623Huygens wrote his Printen, a description of several characteristics of people. This satirical, moralising work was one of the most difficult ofHuygens' poems. In the same year Maria Tesselschade and Allard Crombalch were married. For this occasion verses were written byHuygens, Hooft and Vondel. During the festival, Constantijn flirted with Machteld of Camps. As a result of this he wrote the poem Vier enVlam. In 1625 the work Otia, or Ledige Uren, was published. This work showcased his collected poems.

English knighthood and marriage

In 1622, when Constantijn stayed as a diplomat for more than one year in England, he was knighted by King James I. This marked the end ofConstantijn's formative years, and of his youth. Huygens was employed as a secretary to Frederick Henry, Prince of Orange, who — afterthe death of Maurits of Orange — was appointed as stadtholder. In 1626 Constantijn fell in love with Suzanna van Baerle. Earlier courtshipby the Huygens family to win her for Maurits had failed. Constantijn wrote several sonnets for her, in which he calls her Sterre (Star). They wedon 6 April 1627.

Huygens and his children (property of theMaurits Huis, The Hague)

Huygens describes their marriage in Dagh-werck, a description of one day. He worked on thispiece, which contains almost 2000 lines, during the entire time they were married.

The couple had five children: in 1628 their first son, Constantijn Jr., in 1629 Christiaan, in 1631Lodewijk and in 1633 Philips. In 1637 their daughter Suzanna was born; shortly after her birththeir mother died.

Later career and French knighthood

Huygens started a successful career despite his grief over the death of his wife (1638). In 1630he was appointed to the Council and Exchequer, managing the estate of the Orange family.This job provided him with an income of about 1000 florins a year. In that same year he boughtthe estate Zuilichem and became known as Lord of Zuilichem. In 1632 Louis XIII of France,the protector of the famous exiled jurist Hugo Grotius, appointed him as knight in the Order ofSaint-Michel. In 1643 Huygens was granted the honor of displaying a golden lily on a blue fieldin his coat of arms.

In 1634 Huygens received from Prince Frederick Henry a piece of property in The Hague on thenorth side of the Binnenhof. The land was near the property of a good friend of Huygens,Count Johan Maurits of Nassau-Siegen, who built his house, the Mauritshuis, around the sametime.

Correspondence

Aside from his membership in the Muiderkring (which was not as formerly supposed, an official club), at the start of the 1630s he was also intouch with René Descartes, with Rembrandt, and the painter Jan Lievens. He became friends with John Donne, and translated his poemsinto Dutch. He was unable to write poetry for months because of his anguish over his wife's death, but eventually he composed, inspired byPetrarch, the sonnet Op de dood van Sterre (On the death of Sterre), which was well received. He added the poem to his Dagh-werck, whichhe left unfinished: the day he has described has not ended yet, but his Sterre is already dead. After sending the unfinished work to differentfriends for approval, he eventually published it in 1658 as part of his Koren-bloemen.

Hofwijck

Hofwijck

After a couple of years as a widower, Huygens bought a piece of land in Voorburg andcommissioned the building of Hofwijck. Hofwijck was inaugurated in 1642 in the company offriends and relatives. Here Huygens hoped to escape the stress at court in The Hague, forminghis own 'court', indicated by the name of the house which has a double meaning: Hof (=Court orcourtyard) Wijck (=avoid or township). In that same year, his brother Maurits died. Due to hisgrief Huygens wrote little Dutch poetry, but he continued to write epigrams in Latin. Shortlyafterwards, he began writing Dutch pun poems, which are very playful by nature. In 1644 and1645 Huygens began more serious work. As a new year's present for Leonore Hellemans, hecomposed the Heilige Daghen, a series of sonnets on the Christian holidays. In 1647 hepublished another work, in which play and seriousness are united, Ooghentroost, addressed toLucretia of Trello, who was losing her sight and who was already half-blind. The poem wasoffered as consolation.

From 1650 to 1652 Huygens wrote the poem Hofwijck in which he described the joys of livingoutside the city. It is thought that Huygens wrote his poetry as a testament to himself, amemento mori, because Huygens lost so many dear friends and family during this time: Hooft(1647), Barlaeus (1648), Maria Tesschelschade (1649) and Descartes (1650).

Education of his sons and the new royal Prince

In 1645, his sons Constantijn Jr. and Christiaan began their studies in Leiden. In these yearsPrince Frederick Henry of Orange, Huygens' confidante and protector, became increasingly ill,and died in 1647. The new stadtholder, William II of Orange, greatly appreciated Huygens andgave him the estate of Zeelhem, but he died too in 1650.

The emphasis of Huygens' activities moved more and more to his presidency of the Council of the house of Orange, which was in the hands ofthe young Prince inheritor, a small baby. He traveled frequently during that time, in connection with his work. There were however strongdisagreements between the baby's widowed mother in law Amalia van Solms, and widow daughter in law Mary, Princess Royal, (4 November1631 – 24 December 1660, aged 29) on even the name for christening the Dutch-English Royal newborn.

The Orange Order flag, also known as theBoyne Standard, consisting of an orangebackground with a St George's Cross and apurple star which was the symbol ofWilliamite forces. The late political career ofConstantijn Huygens consisted in nurturingorphaned Dutch-English Prince William III,an orphan of both father and mother sinceaged 11, to become an acclaimed Protestantstadtholder in Holland and then a King inEngland.

In 1657, his son Philips died after a short sickness during his Grand Tour while in Prussia. Inthat same year Huygens became seriously ill, but healed in a miraculous manner.

In 1680 Constantijn Jr. moved with his family out of the house of his father. To stop thegossiping which started shortly afterwards, Huygens write the poem Cluijs-werck, in which heshows a glimpse of the latter stages of his life.

Writing

He still tried to find time to publish more of his work. In 1647 a number of Huygens' musicalcreations, Pathodia sacra et profana, was published in Paris. It contained some compositionsin Latin on the words of psalms in French, and Italian amorous worldly texts. The work wasdedicated to the pretty niece, Utricia Ogle, of an English diplomat.

In 1648 Huygens wrote Twee ongepaerde handen for a harpsichord. This work was connectedwith Marietje Casembroot, a twenty-five-year-old harpsichord player, with whom he could sharehis love for music.

In 1657 the collected work of his Dutch poems, the Koren-bloemen appears. Some of itscontents contain: Heilighe Daghen (1645), Ooghen-troost (1647), Hofwijck (1653) and TrijntjeCornelis (1653). This last work, Trijntje Cornelis, is an explosion of Huygens' creativity. Ittestifies to the rare language - and expressive capacity - of the author. Considering that thepiece was written in a rather short time, it can be considered work of an enormous performance.Since his mother Suzanna was from Antwerp, he visited there often and Trijntje Cornelis takesplace in Antwerp.

In 1660 his daughter Suzanna married her cousin, Philips Doublet, son of Huygens' sister Geertruijd. In 1661, a grandfather by now, Huygenswas sent to France by the circle of tutors of William III, to recover possession of the county of Orange. The county was returned to the familyof Orange-Nassau in 1665 and Huygens returned to the Netherlands.

Drawing of the Zee-straet

On his return, Huygens designed the new sand road in The Hague, running through the dunes toScheveningen. He had already planned this road in 1653, and wrote about it in his work theZee-straet. The road was made according to Huygens' design.

In 1676 the second edition of the Koren-bloemen appeared, a collected work containing 27books. New in this edition were the Zee-straet, the Mengelingh (a section of serious poemswritten after 1657) and seven books with snel-dichten (quick poems). As he was older now,Huygens found refuge in music. He wrote around 769 compositions during his lifetime.

Legacy

Constantijn Huygens died in The Hague on Good Friday, March 28, 1687 at the age of 90. Aweek later he was buried in the Grote Kerk in the Hague, together with his son, the famousscientist Christiaan Huygens.

In 1947 a literary award was created, the Constantijn Huygens Award, to honor his legacy.